These Japanese winemakers are making headwinds both in Japan and globally, while still keeping true to their identities.

Jaclene Liew, Moritz Deyle and Robin Teo. Three brands, three individuals, sharing an appreciation for craftsmanship in wine and in food.
There's a global reverence for Japanese craft that's easy to dismiss as simply branding. But years of being exposed to Japanese cuisine and ingredients, and now witnessing Japanese winemakers making wine around the world, has convinced me otherwise.
On paper, the menu looked straightforward to pair: four flights, eight wines, one seafood-led dinner. In practice, when presented with a blank canvas of fresh Japanese ingredients at my disposal from Soshisen and Neta, and it asked of something more precise than just putting wines right next to the courses.
Monozukuri is a Japanese philosophy that contributes to the level of mastery in many of these Japanese wines. It literally translates to "making things", but the actual meaning goes deeper than that. Monozukuri views craft as being holistic, implying an organic synthesis of mind, body, material, and technique. That is also the approach to which we crafted that evening.

The common thread running through this lineup is not just the mastery of low-intervention craftsmanship, but showcasing dedicated Japanese winemakers pushing boundaries both globally and at home. As with many of AWR's dinners, selling out was not a difficult feat. The difficult feat is hoping for the waitlist to have a drop out.
The event opened with attendees tasted through tasting portions of all eight wines, led by General Manager of Artisan Cellars Moritz Deyle and AWR Editor-in-Chief Jaclene Liew. After which, dinner was served and wines were paired accordingly.
Each of these producers showcased are highly acclaimed in their own right, with these wines available only on allocation.
Tomoko Kuriyama and Guillaume Bott built Maison Chanterêves in Savigny-lès-Beaune combining Japanese elegance, German precision, with Burgundian terroir. They built a micro-négociant house from scratch, but have recently acquired their own estate vineyards. Their wines are incredibly vibrant, with a lingering minerality that stays on the palate long after.
Tasting the Nuits-Saint-Georges 1er Cru Aux Chaignots and Les Damodes side by side shows their masterful expression of the terroir. Les Damodes sits diagonally adjacent to Vosne-Romanée 1er Cru Les Malconsorts and is higher up on the slope. On the other hand, Aux Chaignots is mid-slope with deeper and richer marly-limestone topsoil mixed with limestone scree. The Aux Chaignots was definitely the more serious wine of the two, with a more concentrated nose and structured palate.

Yoshiaki and Kyoko Sato left banking behind, trained through Burgundy, Alsace and Loire Valley, before moving to New Zealand to craft wines. Under their label La Ferme de Sato, they craft incredibly textural wines with immense depth that whispers softly. They are also pioneers in the region, growing unexpected varieties like Cabernet Franc. Sato's zero-chemical and ultra-minimalistic wines are always made with strict discipline, evident from the purity and cleanliness in their wines.
Their 2023 Le Chant Du Vent Chardonnay was energetic and very immediately appealing. At the end of the night, I went back to this first bottle and texted Moritz to buy more the next day.
Rié and Hirofumi Shoji found their expression on the granite terraces above Collioure, training their old-vine 50-year-old Grenache by hand under methods learned from Frédéric Mugnier and Domaine de Chassorney at Domaine Pedres Blanques. On this tiny plot of 3.5 hectare, the wine exhibits its own personality with slight hint of brett, but underneath it the precision of the wine truly shines through.

And in the high altitude mountains of Yamanashi, Eishi Okamoto built Beau Paysage on self-reliance, proving that Cabernet Franc and Merlot could speak Japanese terroir as fluently as home. He is a former archaeologist who is widely revered as the spiritual godfather of Japan’s natural wine movement. Okamoto-san's no-machine philosophy utilises no pumps, no chemicals and no added sulfites. His wines that are extremely energetic and vibrant. Attendees were extremely fortunate to taste these back vintages of 2020 Le Vent and Le Feu, which translate to the wind and the fire.
The 2020 Le Feu has a very pretty bouquet reminiscent of rose perfumes yet layered with mushroom, with an elegant mouthfeel that is alive but not jammy and finishing again with the floral undertone. Since this is named after the energy of fire, this definitely is as consistent and reliable as one.

First time AWR event attendee and finance professional Dominic Lee, summed the event up as "cosy and classy — Japanese done right". He commented that the Sato Chardonnay and Cabernet Franc delivered across value and flavour. There was also a night cap of a soup broth made by Robin, which Dominic described as the perfect night cap. This soup broth is the soup that will also be used for the hotpot event in August.
"To sum the Japanese event, it's a meeting of wine lovers and foodies, unassuming and making wines very approachable," he mentioned.

Thank you Artisan Cellars for the wines. Event was held at Neta Seafood, a seafood grocer by the day and a neighbourhood bar by night.