On this elusive premium sparkling wine region you should know if you love Champagne, and why Tassie wine is made for Singapore market.

A recent Wine Tasmania Masterclass & Trade Tasting in Singapore, held on 12 August 2026. This is the second edition, after the inaugural event in 2025. (Photo Credit: Wine Tasmania)
“There is nothing between us and Antarctica,” says Sheralee Davies, CEO of Wine Tasmania.
It was said that when a certain wine conglomerate was looking to acquire vineyards in Tasmania, it looked at the formula of what would make a wine region successful. Tasmania, as it turns out, checked every single one of these boxes.
Tasmania, or Tassie, as the locals and the winemakers call it affectionately, sits at the edge of the world. 96 times the size of Singapore, this island has a latitude of 40°S to 43.5°S, which puts it the same distance from the equator as Marlborough in the Southern Hemisphere or Northern California in the Northern Hemisphere. Yet, as the growing season temperature indicates, it is significantly cooler than any of these regions. And cooler than even Champagne, in fact.

Sheralee couldn’t have painted a better picture. Without massive land between Tasmania and Antarctica, the vast ocean moderates the temperature throughout the year, with the Roaring Forties of powerful winds from the Southern Ocean slamming into Tasmania.
The combination of long daylight hours, which gives grapes time to ripen, and cool temperatures that preserve acidity is what every winemaking region dreams of. Tasmania, as it turns out, has unintentionally hit the metaphorical jackpot, even if it did not seem so for decades.

Today, 48.4% of Tassie wines are Pinot Noir, both sparkling and still.
But the story of how Tassie wines built an entire industry on the backbone of Pinot Noir vines today did not start off as a commercial decision, but as an inevitability. When modern pioneers started planting grapes in the 1950s, Australia was known for its heavy full-bodied reds that were commercially popular. However, Cabernet Sauvignon struggled to ripen in the freezing ocean winds and mild summer temperature. In the 1980s, these adaptable producers replanted vineyards to Pinot Noir, a clear choice for its cool climate. Other varietals including Chardonnay and Pinot Gris followed.
While a survival strategy back then, Tassie wines struck gold with this strategic pivot as global wine tastes shifted towards sparkling wines, crisp white wines and elegant red wines.
Pinot Noir, it turns out, is not a ‘heartbreak grape’ for Tassie wines.

Picture a wine region with lower average growing season temperature yet longer daylight hours than Champagne — higher acidity, but riper fruit flavours. It sounds a little too good to be true, but this is how Tasmania’s climate is built.
This was the same rationale when Ed Carr started sourcing grapes in Tasmania in the mid-1990s. He then founded House of Arras, producing the landmark 1998 vintage of its 100% Tasmanian traditional method sparkling. Today, many critics view House of Arras as the benchmark for not just Australian traditional method sparkling wine, but the benchmark for Southern Hemisphere sparkling wine.
But the most awarded Tassie winemaker, who is also Australia’s most acclaimed sparkling winemaker, as it turns out, is not even Australian.
Originally born in England and moved to Adelaide in the 1960s, as Sheralee puts it, Ed is an “honorary Tasmanian”. He could have chosen any other wine region. Yet, for the past three decades, Tasmania is where he chose to source fruit for his sparkling wines.
Fran Austin, Owner and Winemaker of Delamere Vineyards, brings to Tasmania decades of winemaking experience in iconic wine regions such as Burgundy, Oregon, Yarra Valley and the Adelaide Hills. Yet, Fran chose to settle in Tasmania “due to the unparalleled fruit quality within this special region” and joined her husband Shane Holloway at Delamere in 2011.

Coincidentally, Fran counts Ed Carr as her mentor. While Ed pioneered multi-regional blending to bring depth and complexity to the House of Arras wines, Fran makes wines in Pipers River. Her grower-producer model shines through in the pristine quality of her wine, in a way very much like how Fran is, not with many words but extremely sure of itself.
Over at Tamar Valley, Holm Oak Vineyard’s owner and winemaker, Bec Duffy, returned to Tasmania in 2006 after spending stints across wine regions in Australia and Napa Valley. Bec focuses on single vineyard still Pinot Noir, “letting each wine speak authentically of its place”.
While Pinot Noir and Chardonnay form the backbone of the winemaking industry, other cool climate varietals such as Riesling are also gaining attention. Eddie McDougall, who has spent more than two decades sourcing grapes from vineyards worldwide, chooses to source his unreleased Rieslings for his own E.J. McDougall label from Tasmania.
“I think Tasmania is one of Australia's real fine wine gems and it has immense opportunity given its current environmental conditions,” shares Eddie. “My reasons for mainly choosing Riesling in Tasmania is the fact that I believe that on a quality perspective, the Riesling style that we want to produce is more Germanic.”
All these winemakers could have been sourcing grapes and making wines anywhere else in Australia, or really, anywhere else in the world. But they chose Tasmania. That alone speaks more about the quality of Tassie grapes than any amount of marketing slogans could, and in turn about the quality of Tassie wines. There is a high concentration of winemaking expertise packed onto this tiny island, home to 196 licensed wine growers.
“What really changed is also the confidence in the product,” points out Bec. This growing confidence is also reflected in producers finally charging the prices that reflect the quality and costs of these wines.

Speaking of the commercial realities of making wines in Tasmania, Sheralee described them as “riskier and more expensive”, “further from the (export) markets” and “variability of yield”.
Tasmania is the antithesis of mass-produced wines.
It is, however, this exact quality that makes Tassie wine such a compelling case for Singapore, particularly within the premium consumers and discerning collectors market. Tassie wine represents a mere 1.2% of volume in Australia, but makes up 6.5% of the total grape value.
“We think there is growth opportunity as consumers value high-quality cool climate wines and it is more exclusive as volume produced is small,” points out Jackson Tan, Outlet Manager of 1855 The Bottle Shop. 1855’s import company, Vinicole Asia, also represents both House of Arras and Mewstone Wines in Singapore.
There has been a rising demand and consumption of sparkling wine in Singapore in the past 5 years. For the 2025 vintage, 43% of Tasmanian wine production is sparkling. Collectors have long chased after limited allocation Burgundy, and those who collect it also turn their attention to limited allocation Burgundy-adjacent styles especially in the likes of Oregon and California. These cool climate expressions of Pinot Noir and Chardonnay cannot be better positioned for Singapore.
“It's not cheap to produce in Tasmania so you have to be able to produce exceptionally high quality,” says Eddie. High-volume, mass-produced wines don't make as much economic sense once Singapore's import taxes and duties are added on. But limited-production wines selling at a premium still do.

Wine Tasmania’s increasing effort in promoting the wine region in the last two years has also boosted the profile of Tassie wines to both trade and consumers alike. Set up in 2006 by wine producers, Wine Tasmania now has 122 members in the association.
While Tassie wines carry a reputation for premium quality, the quality in the glass still has to earn that reputation in a market like Singapore's. "Consumers in Singapore have an understanding of where brand finishes and quality starts," observes Fran.
This sentiment is echoed by Anthony McConnel, Managing Director of Indigo Wine Co in Singapore. “Their approachable, food-friendly style and limited production mean the premium sector holds the greatest potential — particularly with restaurants and discerning buyers seeking exceptional cool-climate expressions,” he shares. Indigo has a focus on Australian and New Zealand producers, featuring Stefano Lubiana Wines and Stargazer Wines in their portfolio.
The high natural acidity of Tassie wines makes for a versatile pairing on many tables in Singapore, across a variety of cuisines available. The high acidity of Tassie Pinot Noir will cut through the wok-fried Char Kway Teow laden with pork lard, with the bright fruits with lower tannin extraction pairing well with sambal chili that accompanies the dish. Devil’s Curry is usually not a suitable choice with dry Riesling, but Tassie Riesling with the acid spine of a German Riesling yet with sufficient body due to the sunshine is an unexpectedly harmonious pairing. Tassie sparkling has a myriad of possibilities, from sparkling rosé with satay in peanut sauce to late disgorged Blanc de Blancs with Hainanese chicken rice.
If you look at the sales figure of wines exported out of Tasmania in 2025, you would think that these producers are seemingly gatekeeping their wines: only 4% were exported internationally.
With many families producing wines in the region, production is understandably microscopic.
Even House of Arras produces around half a million bottles annually in total; by contrast Moët et Chandon produces 60 times that.
Many of these Tassie wine allocations are snapped up by fine dining establishments and wine bars in Melbourne immediately upon release.

“I think that Singapore’s perception of the quality of Tasmanian sparkling wine has been progressively growing as people become more familiar with the respective brand styles,” notes Ed Carr. “To me this is a long term project required of the producers to further familiarise the wines with both the trade and consumers.”
To add to its glowing resume of being the poster child for a premium wine region, Tasmania has also been net carbon negative since 2014. Women in the winemaking industry are also well represented, estimated at about half.
When Fran speaks of the future of Delamere, “continuity and sustainability” is what matters to her. Whether her life’s work eventually passes to her children or is sold to someone else doesn’t seem to trouble her. What she wishes for her next generation is simpler: that her children get to choose it freely, the way she once did.
Ed Carr could have continued building his successful career on the mainland. Eddie McDougall could have sourced his Riesling from any number of more established Australian wine regions. Fran Austin and Bec Duffy worked in various prestigious wine regions, in Australia and beyond.
But a place this certain of itself attracts people who carry the same conviction about it. Tasmania was never going to win on scale, and it has never tried to do so. What it offers instead is its pristine landscape and winemakers with tenacity who never took no for an answer, looked into the wilderness and visualised potential.
Nobody who ended up making wines in Tasmania was obliged to stay. They simply chose to.
This article is written in partnership with Wine Tasmania. Statistics are provided by Wine Tasmania, but Asia Wine Review preserves the editorial independence.
When I teach WSET courses and speak of wine regions that rival Champagne, I only speak of two: Tasmania and England. Long before Wine Tasmania was in Singapore, Tassie wines enamoured me. Thank you to Wine Tasmania for the opportunity to work on an article for a region I personally love.